Frank E. Flowers on choreographing 19th-century naval warfare without the CGI safety net.
Frank E. Flowers treats each battle sequence like a chamber piece: constrained, deliberate, and deeply spatial.
On Camera Placement
The team leaned on longer takes and practical staging to preserve orientation when ships collide and crews split across decks.
Inside The Feature
The Weaponry
Lethal choreography meets 19th-century improvised traps.
The Stakes
A journey of redemption fueled by a parent protecting family.
The Look
Cinematic grit with large-scale practical action.